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Showing posts with label Beatriz Carnicero. Show all posts
Showing posts with label Beatriz Carnicero. Show all posts

Saturday, December 29, 2012

Sweatin' the Small Stuff, Part II: Best EPs, Splits, Comps, and Demos of 2012

Hope everyone's had a good holiday. I ate way too much, played too much Wii U and got to see my newborn nephew, so it was great.

Check out my favorite albums of the year and part 1 of my favorite eps, comps, splits, and demos if you haven't already.

Without further delay, here are my favorite eps, splits, demos, comps of 2012.

10.
Meth Lab - Demo

Knuckle dragging power violence smothered in a cloud of basement brewed meth and plenty of shifts in rhythm make this demo a year's favorite for getting some aggression out. P//S Review



9.
False Light - False Light

Brackish, down tuned power violence with enough beatdowns and feedback to make your stupid Hatebreed fan friend a true believer in power violence.


8.
Obolus - Lament

Dense and distant black metal with enough doses of WITTR and the like, but sans the fat and length. Perfect for winter nights.



7.
Beatriz Carnicero - No Reces

An impressive showing from these upstarts from Uruguay. Classic Slap-a-Ham nostalgia wrapped up with a robust production and plenty of dynamics to keep your arms swinging. P//S Review




6.
thedowngoing - athousandyearsofdarkness

One of those bands you "need to know" Australia's thedowngoing mix torrents of feedback, modulated vocals, angular guitars, and cascading drums into a coherrant mess of noisy grindcore that's absolutely gripping. P//S Review


5.
Water Torture - Shellfire!

Maybe my new favorite band, Buffalo's Water Torture are making up for their hometown sports team's horrid showings with a recent slew of releases. The band does the unthinkable in actually being good without having a guitarist. Heavy, vicious, painful and alluring, Water Torture find an odd balance between catchiness, heaviness, and energy with their brand of noisy power violence. Few things stick as well as the ending breakdown with the words shouted "everyone I know is fucking dead to me" and jumping right into this jazzy kind of synth run.



4.
BurialKindred


I was hesitant at first due to the fast and constant beat, but I should know better as U.K. godhead Burial is his normal self in creating an alluring, foggy, and urban sounding soundtrack to a night lost on the street. Listen here.


3.

V/A Monomaniac Vol. 1

A great "who's who" of modern fast music encompassing unreleased material from grindcore, power violence, and even black metal bands. Particular highlights are Bodyhammer, thedowngoing, Cloud Rat, and Diocletian. P//S Review.


2.
Flourishing - Intersubjectivity

A fast dirge of dissonance, melody, and brutality makes Intersubjectivity one of the most unique and best things to come out this year. While I couldn't get into The Sum of Fossils I think this one is so paradoxically perfect in so many ways that it's hard not to get lost in. Pushing the envelope right out of the door, Brooklyn's Flourishing are on point with this one. P//S Review



1. 
Deathspell Omega - Drought

One of those releases where I struggle to talk about it like I'm some nervous wiener on his first date. There's just so much to say about this gift of an ep. It's what Deathspell Omega's been working towards ever since Si Monumentum Requires, Circumspice. Where they got a bit ahead of themselves and lost with Fas - Ite, Maledicti, in Ignem Aeternum, Paracletus finally bridged the gap between dissonance, abstraction, and melody yet was still very chaotic. With Drought DsO's simply perfected their sound. I don't know if the band will be able to outdo Drought's uncanny ability to weave in between multiple moods without space in between and to never be uncomfortable or jarring. The best release this year by a long shot, Drought is a wisp of a dream fully fleshed out into something tangible and perfect. Listen.

Thursday, October 11, 2012

Beatriz Carnicero - No Reces

I could make a big deal about Beatriz Carnicero hailing from Uruguay, but I'll skip that and give the band their due as they play an exciting style of Slap-A-Ham power violence. Equal parts Spazz, Fuck on the Beach, and their own accent, Beatriz Carnicero capture the spirit of 90's hardcore perfectly. Quick shifts in momentum, various vocals tied together by thrashy guitars and an amazingly well balanced and perfect production creates an immediately likable sound.

No Reces ("Don't Pray") hardly sounds like a band's first release and yet it has that spirit of a young band, something you couldn't get out of many old bands if you held a gun to their head.Opener "The Haroldos" rips into things and showcases the dynamic vocal performances perfectly. "Sindrome de Lalas" is punctuated with great back and forth riffs and little breaks for the bellow vocals to cudgel everything else. From track to track the band mulls around in blast beats and punk sections, intertwining thrashy get-up-n-go parts with quick samples and plenty to circle pit to.

I have zero complaints about this release and can't get enough of it. It's like some great flashback re-imagined with both homage and personal enjoyment as part of the plan; I'm also a sucker for bands who sing in their native tongue and skip English -  it just seems more punk.



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